While in Berlin, I visited the Berlinische Gallerie, the modern art gallery, they had a couple of exhibitions and some standing exhibits,the former included Julian Charière’s “As we used to float”, and Freedom by the November Group. I bought some post cards to remind me of the visit.
I looked at the November Gruppe photography exhibits. Some of the propaganda pictures, particularly a magazine front page illustrating two women on the front of the Berlin illustrated times, it could have come from the Soviet Union, showing in my mind the unity of the working class, I dout this was the message hoped for by their authors but there we are.
I have observed before, and I am sure it’s not original that photography changed painting as painting can never meet the realism of photography but the photo exhibits showed the German/Berliner experimentation with photographic techniques as artistic expression, so it moves in a full circle.
In the post war room,they tried to tell the story of a conflict of styles, Abstract vs. Socialist realism; I quite enjoyed the big picture used to illustrate the West’s adoption of abstract, but I couldn’t find a post card; it reminded me of some of Jackson Pollock’s work but with a lot less black. I was underwhelmed by what they chose to illustrate the East’s Socialist Realist art. The picture above, which I don;’t think was exhibited was painted in 1976, and would seem to be an interpretation of Berlin at the time, or at least more like what I expected. (The artist, Karl Horst Hödicke, would seem to have lived and studied in West Berlin.) …
ooOOOoo
This picture was part of the November Group exhibition, i enjoyed the portrayal of the large glasses.
