Ulveas together

Another interesting copyright story. In 1974 ABBA won the Eurovision song contest with Waterloo. This launched an amazing career releasing 66 singles between 1974 and 1982, with nine UK No. 1 positions and 11 BPI Gold discs, putting them in the top 20 best selling bands ever.

But as we know, copyright lasts for life + 70 years and so reusing their material can only be done at a price. While researching this article, I discovered that we can perform an artist’s copyrighted material for money in a venue, and it is the venue’s responsibility to pay the collecting society. However, band names are protected by intellectual property laws.

It became clear, that ABBA had ceased to perform, and declared that they never would again and in 1988, Rod Stephen launched an ABBA tribute band, called “Bjorn Again”, which is a different name and also protected. This has also been successful. The line-up has changed, and even at times there have been two bands on separate tours.  Fascinating that such a simple copyright statement allows the appropriation of value. I think I’ll copyright “Ulveas together”.

It’s a story of great music and showmanship, abandoned and restored, but still enclosed. You can perform it, but you can’t monetise it without paying a tax. When I first conceived of this article, I was curious as to whether the Bjorn Again owners were licensing the name as a franchise, however it seems not but it would be a smart business move, and another illustration of the monopolistic tendencies created by modern creative copyright.

There seems to me to be something not quite right about the way the performers & fans are at the bottom of the heap in this particular model. …

Watching Game of Thrones (again)

Watching Game of Thrones (again)

Yup, I am! Artistically, now I know what happens, I can concentrate on relevant harbingers since we know what they are. There’s quite a few, I was obviously concentrating on the wrong plot points the first time through.  If I was really concerned, I could probably organise my life better; I deleted my older copies of the show from my skybox and so short of buying the box set, £32 for S1-3 I am stuck waiting for them to show repeats and so I took the opportunity over Xmas. Great show but the opportunity to whinge about Sky & HBO’s monetisation strategies is too great. …

monopoly in film

On the 27th Sept, Torrentfeak comments on an MPAA funded report on film distribution in the USA.  It highlights the oddity that the most used service (Netflix) has the weakest catalogue. Later in the year, the researcher, KPMG LLP published a report on the UK market, which Torrentfreak commented on here…. The headline was that a film fan wanting the best catalogue would need to subscribe to 27 services, which seems a bit excessive.  …

I need 27 suppliers? Watching film in the UK

I need 27 suppliers? Watching film in the UK

A UK movies fan has to subscribe to 27 services to get a full catalog of current(ish) releases. On the 27th Sept, Torrentfeak comments on an MPAA funded report on film distribution in the USA.  It highlights the oddity that the most used service (Netflix) has the weakest catalogue. Later in the year, the researcher, KPMG LLP published a report on the UK market, and locally hosted here … which Torrentfreak commented on here…. The headline was that a film fan wanting the best catalogue would need to subscribe to 27 services, which seems a bit excessive.  …

Not so open, a Bioware take on open source

This article represents some thoughts on how copy-left and permissive licences create value. It uses the story of Bioware and it’s use of the D&D™ and Forgotten Realms™ games & mythos as an example. There are two recent news items that make this current: that the community repository for Neverwinter Nights has just shut, and that Wizards of the Coast have just released Dungeons & Dragons V5 rules as a free to use .pdf, a small but significant step to a freemium business model. The story shows how an initially traditional author-publisher business model, leveraged a pre-made community, grew it and latterly enabled it. The point of this story is the way in which community and value grew, becoming significant author contributors and the way in which Bioware responded and learnt although some might say not as quickly or as generously as they might.  …

Google deleted five million index entries in a week

Google deleted five million index entries in a week

Earlier today, Torrent Freak published an article detailing the number of take down requests that Google receives and acts upon, in the previous week, they report

Google received DMCA notices from 5,407 copyright owners and reporting organizations requesting the removal of 5,310,080 URLs spanning a total of 37,413 domains.

Obviously, I have been exposed to the copyright maximalist’s constant propaganda at #lab13 and further with the press coverage of the Select Committee, so its great to see this reported. The Torrentfreak article ends, …

If Only

Last weekend, I went to see “If Only”, a play by David Edgar about the politics surrounding the formation of the coalition and a subdued appeal for the political parties to rediscover their identities; identity destroyed by triangulation.

If Only

Triangulation is a political strategy used mainly by social democratic parties and the US Democrats, of moving to the right and forcing your opponents to differentiate themselves by moving further to the right. It’s extremely cynical and extremely dangerous. However, if it’s just about winning, it clearly worked for a number of years for the Labour Party, isolating the Tories under the leadership of Major, Hague, Howard and Duncan-Smith. The danger in this strategy is that many of those who genuinely agree with the policies abandoned have no-one to represent them in the national political debate; the left in society become politically voice-less. A further danger is that neither the acolytes of triangulation nor their supporters believe in what is being said and promised by politicians, it reinforces the slur that all politicians are liars by making it the truth. …

This House, or when whips served the Party

I went to see “This House” earlier today. It’s the story of the Labour Whips who kept the Wilson and Callaghan government in power for 4½ years, without a majority for much of the time, from 1974 to 1979. It brought back many memories as I had joined the Labour Party in 74 and of course much of my politics was learned and established in the next 10 years. …