Berlinische Gallerie

While in Berlin, I visited the Berlinische Gallerie, the modern art gallery, they had a couple of exhibitions and some standing exhibits,the former included Julian Charière’s “As we used to float”, and Freedom by the November Group. I bought some post cards to remind me of the visit.

I looked at the November Gruppe photography exhibits. Some of the propaganda pictures, particularly a magazine front page illustrating two women on the front of the Berlin illustrated times, it could have come from the Soviet Union, showing in my mind the unity of the working class, I dout this was the message hoped for by their authors but there we are.

I have observed before, and I am sure it’s not original that photography changed painting as painting can never meet the realism of photography but the photo exhibits showed the German/Berliner experimentation with photographic techniques as artistic expression, so it moves in a full circle.

In the post war room,they tried to tell the story of a conflict of styles, Abstract vs. Socialist realism; I quite enjoyed the big picture used to illustrate the West’s adoption of abstract, but I couldn’t find a post card; it reminded me of some of Jackson Pollock’s work but with a lot less black. I was underwhelmed by what they chose to illustrate the East’s Socialist Realist art. The picture above, which I don;’t think was exhibited was painted in 1976, and would seem to be an interpretation of Berlin at the time, or at least more like what I expected. (The artist, Karl Horst Hödicke, would seem to have lived and studied in West Berlin.) …  …

Back from Berlin

I returned from Berlin last night; it was a long journey home, with most delay caused by UK transport system which had served me well on they way out. I’ll say more later.

I visited the Berlinische Gallerie, the modern art gallery, they had a couple of exhibitions and some standing exhibits, including Julian Charière’s “As we used to float”, and Freedom by the November Group. I also went for a walk in the Tiergarten and ended up at a Vegan demo; they had closed the Brandenburger Tor, and half the Strasse des 17 Juni to accommodate the farmers tractors. I also ate well, or badly depending upon your view point.

I took some photos, they are here and on flickr.


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Newly in the public domain

Today is a great day; in the USA, works written/created in 1922 become available under the public domain as the 1970’s extension laws durations expire. This is recorded by Ars Technica, in an article entitled, Mickey Mouse and Batman will soon be public domain—here’s what that means. This headline is misleading since these properties won’t become PD until the 2030s. Don’t quite get the maths myself since the international treaties talk of 70 year durations and this looks like 95 years but we do know that this was an exercise in corrupt lobbying power but it would seem that “I’ve got you Babe”, written by the Congressional sponsor of the second extension law, yup, they did it twice, expires in 2060; don’t think I’ll be around to enjoy it for free. What a greedy twat!

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Reinforcing Monopoly

Hereby are two stories about how software acts as a barrier to entry to a market and reinforces the monopoly power of its provider.

The first is shown by the fact that industrial content are getting cold feet over the EU copyright directive as the service providers have switched to supporting Article 13 since they already have the so-called “upload filters”. Only the big boys will be able to remain in the game of hosting user authored content. As predicted, the new regulations will inhibit both startups and SMEs.

The second story is closer to home. The UK have decided to mandate age verification functionality for porn sites. Who do you think is going to build that? Alec Muffet and the Open Rights Group have been tracking this and even if you think it’s a good idea, they way it’s being done is disastrous. The BBFC is the regulator and this is a massive piece of scope creep, it looks like they will licence a third party to act as the software provider and again the favourites to win this business is an interested party. Alec’s latest blog post is on Medium and is critical of the regulator’s stance and IT Security expertise and he previously wrote about the competitive dynamics and opportunities created by the new laws. Muffet is also concerned about the profiling use of such a database of porn users. It’s almost back to the days of the Roman Empire where monopolies were licensed. …

Creativity and Culture

I popped into the Policy Seminar on Energy and Culture, hoping to ask why the front bench had without mandate had supported the EU’s Copyright Directive and seemed to equate the interests of creators with those of the industry. The front bench culture spokesman, there was only one, repeated the shaky statistic that the UK was a net exporter of music. We’ll see. I had to go to a delegation meeting and so was not called to speak. …