European food, will it go or will it stay?

European food, will it go or will it stay?

I mixed in some French mustard with my scrambled eggs this a.m. and strangely it reminded me of the first time I ate it, the mustard not the eggs; in France on my exchange. It reminds me of how much food in England has changed, via the influence of foreign holidays and EU imports. I can’t remember the first time I ate garlic (or garlic flavoured food) but it wasn’t served at school or at University and was hard to find in the green grocers. I mean probably in France, chez Mary. The rest of this post, brings back comments reviewing Back in Time for Dinner and reminisces about my first Kebab & Curry ...

Meyer’s Cultural Map

Meyer’s Cultural Map

I have just finished the Culture Map by Erin Meyer. It’s taken me longer to read than it should, but that’s not her fault. She argues, building on the work of, her predecessors, including Geerte Hofstede,  that there are eight dimensions of business communication, these are communicating, evaluating (feedback), leading, deciding, trusting, disagreeing, scheduling and persuading. She argues that cultures share positions on these dimensions as people’s comfort and natural style is based on their education systems and often deep seated cultural and historical factors. She argues that differences are relative i.e. you might be mediumly robust in offering direct feedback, but if you come across someone more so, you will find them rude, and need to recognise that if delivering such feed back to some one from a more robust culture, they may fail to understand. She uses charts to illustrate cultural differences across the dimensions and I reproduce one. I also offer an Anglo-Dutch phrase translator. I finish by wondering how useful this is for 121s. The blog article says much more, ...

Culture for all

Culture for all

Tracy Brabin, in her statement, “Culture for All” says,

When times are dark, culture and creativity provide a light. That’s why I’m proposing a vision of Culture for All to be at the heart of Labour’s forward journey.

She has great ideas on Football, the BBC, diverting the festival of Britain funding, access to the creative industries,and comments on nepotism, class bias and the impact of other informal networks, together with the impact of the growing gig economy relationships in the creative industries.

For instance on football, which she identifies as important community resources and hubs, she says, “We need to tackle the mostly undemocratic ownership and control of football clubs, and the way that sport is organised, so that fans and communities are properly engaged.”

While she recognises the stake holding interests of fans in sport, she doesn’t spend the words on talking about them in terms of acting, music nor film? Although she does say ” … Campaign to put more digital cultural content online. Just as the National Theatre has done in response to Covid-19, so too must we support our regional arts institutions in reaching new audiences.”, although this is also weak on the contribution of value by fans.

There is a good section on health and well being

On digital she says, amongst other demands, the UK needs, “a new properly resourced internet regulator to tackle online harms, abuse and misinformation” is needed and Labour should “Make the case for a Digital Bill of Rights so UK citizens have greater control over their own data”. She does not repeat the free broadband promise on which I comment positively here, and less positively here.

This is a thoughtful review of what we could do, it might be a shame she lost the shadow spokesperson position, but she remains Shadow Spokesperson (Minister) on Cultural Industries.

ooOOOoo

This does not repeat big media’s bollocks on the “Value Gap”, which is an unmeasured & unmeasurable concept aimed at appropriating the value created by fans and commentators and implementing a trickle-down approach for artists and performers. It appeared in one of the NPF reports.

Featured Image: cropped from Tracy’s twitter feed …

Moving to Mars

Moving to Mars

I went to this exhibition, amazingly there are projects in place that are thinking about this despite the horrendous difficulties this would entail. Getting there might not be the problem, but there is no oxygen and very limited water. It’d have to be taken with and recyled well. There are four exhibits that caught my eye.  A film from the Curiosity rover showing the Martian landscape, an exhibit/poster showing the world’s investment in space flight, in which the UK does not appear, an exhibit on what human houses might look like and an exhibit on a multi ten thousand year terraforming project using plants.

The Martian landscape is bleak and subject to, for humans, lethal dust storms. People and their homes would need to be protected from these, once the problems of oxygen and water, there is none, were solved.

Once the brexit transition period is complete, we’ll be out of the European Space Agency, so much for a high-tech, high wage economy. One of the exhibits on the geo-politics of space travel included a panel with Interkosmos suit patches from the Soviet Union, India, Sri Lanka, Vietnam, Cuba and others, a reminder that space travel does not belong to the USA.

They seem to be suggesting that people will live in kevlar tents, buried underground by robot builders. …

Free and fast broadband; it wasn’t to be.

Free and fast broadband; it wasn’t to be.

It’s time for me to consider the election results; I think in terms of ideas I am set back four years  but in this blog article I want to look at Labour’s manifesto for the Arts, callled a Charter for the Arts. One of the criticisms that being made of the campaign is that unlike 2017, the manifesto was not seen as signpost for better times. It was seen as a classic shopping list to bribe a winning coalition, and constructed without thought or knowledge of how to pay for it. The promises need to be bound into a single promise, and the details need to be the result of debate and consensus in the Party. Much, including the Arts manifesto seemed to be an after thought, an insight underlined by it’s late publication.

Policy for creative industries has not been debated at Conference in my memory, and the NPF reports have been weak although the 2017 manifesto played with ideas around the “value gap“; this document does not repeat this. Corbyn’s introduction is radical, as you would expect, establishing Art as the property of and the right of all.

The manifesto promises to defend and extend free access to museums and art galleries, invest in diversity in the arts, ensure lottery money is fairly distributed, that schools are invested in to support the arts, and possibly most radically, but equally unprepared, promised free broad band for all.

The decades old commitment to free access to museums and libraries, the productive macroeconomic arguments and the failure of the market to deliver nationwide fast broadband are all good reasons to make this promise but we allowed it to hang on the question, “Why free? We don’t do it for water!” and I don’t have an answer to that. (Although we do it for museums, galleries and libraries). …

You gotta laugh (or not!)

You gotta laugh (or not!)

I had reason to look at a YouTube compilation of what passed for comedy when I was growing up, in the Seventies. I was shocked at how poor it was; I actually saw very little of it. One reason for this was that we had only one TV in the house and my parents controlled the channel selector switch, there was no catch-up technology. Some of what we watched, and more importantly didn’t watch may have been based on their cultural aspirations; certainly we never had “The Wheeltappers and Shunters Social Club” on in our house, or in any house in the street; I grew up in, in Ruislip, not a hot house of working class or socialist culture. …

Greetings

I saw this a couple of days ago, and let it past, but today I am reminded what a good idea, letting people choose their greeting is and so decided to share it here.

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The Gemalderie

I went to the Gemalderie in Berlin’s Kultur Forum. The art was a bit too religious or bit too civic. It made me want to got back to the National Maritime Museum for some seascapes, or the the art gallery at Newmarket. I missed the classic, i.e. Botticelli pictures of Venus which it seems are there but found one by Titian, called Venus & the Organ Player, fortunately painted and titled 425 years or so before Peter Cook’s satirical speech on the Jeremy Thorpe trial summing up. It reminded me a bit of the Jo Brand & Helena Bonam Carter sketch on the objectification and changing fashions of female beauty.

The Gemalderie has a sign saying photography permitted, the staff were wonderfully polite, even when correcting me, and the Cafe had a fabulous salad, but I think I need to go to Musee Insel next time., now over to the Embassy to show solidarity with comrades on the “finalsay” demo. …